Aperture 3 review

I have been waiting to write this for a while now considering I was one of the people who was like WOW it has been released let me go right out now to the apple store and buy it. That was a bad idea. I learned the lesson about waiting for the first patch on a new piece of software. So I did not want to give a review on software that was broken. So now that they have fixed the memory leak issue with 3.01 patch I feel its time to do my review.

I am just going to go over the features that really impact me as a professional photographer. I know faces and places is cool, and flickr and facebook export are nice additions however I am sorry people, but theses are not features that professional photographers wait to tare the doors down for. If I only cared about those features I would of just stuck with iPhoto.

Brushes:

The first feature that came to my attention when reading about all of the new features was the new non destructive brushes with edge detection. Theses types of operations in the past had to be done by photographers in photoshop or gimp by using masks and layers. Each adjustment creates a new entry in inspector that allows you to just for example adjust certain colors in a selection

Here is the brush selection menu that you can chose the non destructive brushes from:

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One of the cool features which you can apply when using the brushes is a color overlay that shows you exactly where your brush strokes fall. This is very handy and seeing exactly what has been modified.

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When it comes to architecture and scenery photos this tool is a must. I was able to recover an over exposed sky and brighten the colors with ease.

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Presets:

One other feature that I have really been craving after using Lightroom 2 when I was on windows was the ability to save and use presets. In Aperture 2 you had to save a preset for each individual adjustment. However now with Aperture 3 you can create fully custom presets and also use the nice handy presets the provided. I have yet to really use this feature much, but when I start adding artistic effects to photos from a shoot I will create a few nice presets I will be using.

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Full screen:

With Aperture 3 you now can basically live in full screen edit mode. This is one of the things that I absolutely love about Aperture 3 and Aperture in general. I have yet to find an editor that will do this the way Aperture does. When editing an image I want to have it in all its glory shown on my screen as large as possible. I do not want to be bogged down with menus and other program elements that take up my screen real-estate. They added a few new features that is very handy is that you are now able to change and browse projects. This means you never have to leave full screen mode. Another cool feature is that you can hold down shift while sliding an adjustment and the inspector will fully disappear only showing that one slider giving you the full view of the image you adjusting.

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Conclusion:

Aperture 3 was a pleasant refresh of their professional line of products. To me it was worth the upgrade. The additions to brushes, presets and full screen editing were very refreshing and The new ability to leverage dual cores and 64bits increases the performance. I would recommend this software to any Professional Photographer working on a mac. You can see all the other 200+ new features here. http://www.apple.com/aperture/features/

Adventures as a Strobist : Gun’s and Snoot’s

My friend is doing an ad for a gun shop he asked me to help. So I got to do some strobist fun. I actually fell of a stool and fell through 6 folding chars that were setup behind me when trying to get a directly above product shot… I did not care about my self I tried to not let the camera hit anything… It was ok however im hurting..

For those who do not know what a snoot is read: http://strobist.blogspot.com/2006/03/lighting-101-cereal-box-snoots-and.htm

Custom AR15 product shoot

Camera: Canon EOS 20D
Exposure: 0.008 sec (1/125)
Aperture: f/8.0
Focal Length: 28 mm
ISO Speed: 200

Strobist:
Vivitar DF400MZ 1/4th power snooted from above.
Canon 580 EXII 18th power snooted on camera right at gun level hand held by my human lightstand Rob.

Custom AR15 product shoot

Camera: Canon EOS 20D
Exposure: 0.008 sec (1/125)
Aperture: f/8.0
Focal Length: 28 mm
ISO Speed: 200

Strobist:

Vivitar DF400MZ 1/4th power snooted from above.
Canon 580 EXII 1/8th power snooted with blue gel on camera right slightly above gun level hand held by my human lightstand Rob.

Custom AR15 product shoot

Camera: Canon EOS 20D
Exposure: 0.008 sec (1/125)
Aperture: f/5.6
Focal Length: 28 mm
ISO Speed: 200

Strobist:
Vivitar DF400MZ 1/1 power with gobo to keep flash from entering lens on backdrop
Canon 580 EXII 1/4th power with shoot through umbrella way upper camera left

Lillie Kates 1 Year Photo Shoot

Lillie Kate turned one year old on the 6th. So this past weekend we decided to do her 1 year photoshoot in between church and media at night service. However Lillie had other plans she decided she needed to take a 3 hour nap. So I set everything up and we were able to do her shoot later in the night. One thing I have found the older she gets is you can not get her to stay in one place. With lighting the light falls in a range you configure so your exposure is correct. However if you move closer or farther from the light this changes. However through much picking Lillie Back up and moving her she stayed still long enough to get 1-3 shots per move. :) Instead of doing my normal boom setup I decided to just use a stand on the side to light the back ground. This way I showed it can be done this way also. I also tried using a flag to keep the light from spilling over where I did not want it to be. It seemed to work.

Katrina and Lillie Kate

Katrina and Lillie Kate

Strobist:

On background upper camera left behind Katrina and Lillie Vivitar DF400MZ 1/1 power.
Camera upper left 1 feet away Canon 580 EX II on 1/4th power with 1/2 cto gel With 30 inch shoot through umbrella.

I also made a time laps of me setting up the studio and a final setup photo.

Time Laps:

Adventures as a Strobist : More Portraiture “Apparent Light”

After watching the strobist lighting seminar I asked Katrina to be my subject. One thing I learned was that the closer the flash is to a subject the bigger the light source and the softer the light is. So I tested it out and wow it is great. The down side this is very hard to do with a baby so I could not do it with Lillie.

You can read more into this following the following link.
Lighting 102 Strobist.com Apparent Light

Katrina

Katrina

Strobist:

On background upper camera left behind Katrina Vivitar DF400MZ 1/1 power.
Camera upper left 1 feet away Canon 580 EX II on 1/8th power with 1/2 cto gel With 30 inch shoot through umbrella.

12-05-2009 – Ryan and Emilee’s Engagement Shoot and Jennifer’s casual senior portraits

Two weekends ago we had a chance to take pictured for a wonderful family. Again we got to visit McDaniel Farm park. Instantly you are brought back into a 1920’s farm. The intresting thing is it is in the middle of the busey pleasant hill area its secluded. Unfortunately this time I still was not able to get into the main part because of an event. However I had my trusty walking trail to work with. It has some fences overlooking the fields and then a bridge and a barn. It has allot of useful stuff.

I really enjoyed working with this family. They are very nice and fun to work with.

12-05-2009 - Emilee and Ryan's Engagement photo shoot.

12-05-2009 - Emilee and Ryan's Engagement photo shoot.

12-05-2009 - Emilee and Ryan's Engagement photo shoot.

12-05-2009 - Jennifer's casual senior portraits

12-05-2009 - Jennifer's casual senior portraits

12-05-2009 - Jennifer's casual senior portraits

Adventures as a Strobist “Background gel’s”

Today we decided to do Lillies 10 month shoot. I had the same exact setup as I did last shoot. So I decided to take the gel holder that was holding the gel over the SB-24 main key light and strap it onto the Vivitar DF400mz on the back drop. I put a Rosco #26 Light red gel on the back flash and started testing. The trick was that the front key light needs to have less light than the back so it does not over power the gel. I think the posibilities are now endless. I would recomend testing this to all strobist out thier.

Vivitar DF400MZ boom pointing at backdrop with #26 Light Red gel
Nikon SB24 shoot through umbrella upper camera left
Gelled strobist setup

Strobist:
Vivitar DF400MZ 1/1 power on boom pointing at backdrop with #26 Light Redgel
Nikon SB24 1/4 power shoot through umbrella upper camera left

Camera: Canon EOS 20D
Exposure: 0.01 sec (1/100)
Aperture: f/5.6
Focal Length: 66 mm
ISO Speed: 100

Lillie Kate 10 Months

Lillie Kate 10 Months

Lillie Kate 10 Months

Adventures as a strobist “High Key”

One of the methods that I have liked doing lately is what is called high key studio photography. You may have seen this before it is when you see those images where the subject seems to just have perfect clear white behind them. This is a great method especially for kids. It provides colorful vivid images that really show the personality of the children. For a basic setup there are a minimum of 5 key elements in your studio kit.

1. A background stand with white background. “I uses a fabric store bough muslin however you can also use seamless paper or any other solid background material like bleached canvas
2. A boom and a stand. Alternatively you can have a light stand over to one side with the flash directed at the background. However this will not evenly distribute the light across the back drop.
3. A Key light Main with a light modifier. Umbrella, soft box so on.
4. Speed light flashes that are able to shoot in manual the higher the guide number the better, at least over 100 feet @ 100 ISO.
5. A trigger system radio, optical, or sync cables

With kids since they are most likely to move and are going to be near the floor the flash must be above them so that it is out of the way. You also want to put your key main light either right next to you or behind you to protect it from getting knocked over. If you are just doing head shots on a model or a older subject you can put the rear backdrop flash on the ground directly behind the subject pointing at the background also.

The goal is to have the background as bright as possible. Normal I try to have the background at full power 1/1 if possible. The problem with this is recycle times. This will give a nice edge light on the subjects hair and shoulders. The power on the main strobe varies on your ISO, aperture, or shutter speed on your camera or the light modifier you are using. If you bouncing the flash it needs to be a little higher light output than if you are using a shoot through umbrella. Test your setup before hand and adjust if needed.

Nov 20th High Key strobist setup
Strobist:
-Vivitar DF 400 MZ on boom on backdrop.
-Nikon SB-24 r shot into 30 inch white shoot through umbrella with 1/4 cto warming gel.

Lillie Kate's Christmas photo.

Strobist:
Vivitar DF400MZ 1/1 power on boom pointing at backdrop
Nikon SB24 1/1 power 1/4 cto gel shoot through umbrella upper camera right

Lighting diagram: farm3.static.flickr.com/2726/4104706380_dabe101457_o.png

Anna Beth Poole

Strobist:
-Vivitar DF 400 MZ 1/4 on boom behind subject on backdrop.
-Nikon SB-24 1/2 power shot into 40 inch sliver umbrella directly above and to the left of the camera with 1/4 cto warming gel.

She took my umbrella stand and was using it as a tripod and a microphone.

Baylee's 2 year photo shoot

Strobist:
-Vivitar DF 400 MZ 1/8 on boom behind subject on backdrop.
-Nikon SB-24 1/2 power and Vivitar 2500 1/1 power rubber banded together shot into 40 inch sliver umbrella directly above and to the left of the camera with 1/4 cto warming gel.

Self Portait

I dont have many pictures of me. I just got done with a shoot for lillie and I had my speed lights still out so I decided why not. I got my trusty Canon A-1 film camera and focused on the chair with my 20d and hit the self timer.

Strobist:
Vivitar DF400MZ 1/1 power on boom pointing at backdrop
Nikon SB24 1/1 power 1/4 cto gel shoot through umbrella upper camera left

09-07-2009 – Labor day weekend and Lillies 8 month shoot

I have been meaning to type this post but with studying and work I have not had a chance. We had a great time visiting with my mom and spending time with Jen, Dan, and Ella. We went to the aquarium with every one and Ella and Lillie loved it. The first time Lillie was at the aquarium she slept through the whole trip. This time she was fully engaged and excited. She loved seeing all the fish and activity through the glass. I got to take a silhouette picture that I have been wanting to take for a while. I wanted to take a picture of a child totally fascinated at the fish. I set Lillie down at the window put my legs on each side so she could not crawl away and she climbed up on the window.

Lillie Kate - Aquarium

We also got to do a morning Lillies 8 month photo session at the shed in the back yard. It has a nice little porch that was perfect. I really like the natural light photo over the strobe photo. The light was not bright enough for me so I needed to use my strobes. I still really love the photo but I love the natural light photo better what do you think.

Lillie Kate - 8 months

Lillie Kate - 8 months

On labor day before we all left my moms we decided to go down to a park and take some pictures of Ella and Lillie I had a great time chasing Ella around taking pictures.

Ella Playing

08-29-2009 – Anna Beth

On Saturday we had a great time at dinner with our friends the Poole’s. We grilled out steaks and had a great time in fellowship. I brought my mobile studio with me so we could take pictures of Annabeth. I had a great time shooting her photos. I thought it was so funny when I heard “Mom can I go get my camera?” Both of the kids broke out their cameras and joined in on the fun. It was a wonderful night.

Anna Beth Poole

Anna Beth Poole

Anna Beth Poole

8-22-2009 – Baylee’s two year photo shoot.

Saturday I had the privilege of shooting one of Katrina’s co workers two year old, Baylee. She was so cute she was interested in everything. I don’t know what it is about shooting pictures of kids. It is just fun. We had some cool props to play with Katrina’s mom brought an antique rocking horse. We also had a rocking chair and some fresh flowers… :)

Baylee's 2 year photo shoot

Baylee's 2 year photo shoot

Baylee's 2 year photo shoot

Baylee's 2 year photo shoot